Grant and Mary Grant Featherston (1922-1995) was born in Geelong Victoria. He shared this vision of design for life and social responsibility with his partner Mary, with whom he established Featherston Design in 1965. Grant Featherston: A Fresh Take on Furniture From Down Under Robin Boyd, designer of the pavilion's interior and displays, commissioned Melbourne-based contemporary furniture designers Grant and Mary Featherston to develop a 'talking chair' to deliver information about Australia to visitors in seated comfort. When Grant and Mary had kids, they also added mesh to the barriers. This exhibit highlights the career of Grant Featherston, possibly Australia's most significant modernist designer, and his partnership with Mary Featherston, who is renowned for her design of learning environments for children. Their first joint project, the Expo '67 chair with its built-in speakers, featured at the 1967 Montreal Expo Australian pavilion. Internationally, his best-known work is the famed Talking Chair , commissioned by architect and design critic Robin Boyd for the Australian Pavilion at Expo '67 in Montreal. The Featherston's Designs - Serenity Made Furniture Materials: moulded rigid polystyrene shell, polyurethane foam, elastic webbing, upholstery fabric, speakers in headrest. There, he met Mary Curry, an RMIT Interior Design graduate who hailed from England and came to Australia to study. Jun 13, 2019 - Grant Featherston (1922-1995) was an Australian furniture designer whose chair designs in the 1950s became icons of the Atomic Age. Mary Bronwyn Featherston AM (born 1943) is an Australian interior designer and designer of child-friendly play and learning environments. She is known both for her furniture and design collaboration with Grant Featherston, as well as her work researching and designing educational spaces for children. Read about Grant Featherston and Mary Featherston's ... Grant worked with his wife Mary to produce some of Australia's most beautifully designed chairs. Manufactured by Danish de Luxe and Aristoc Industries. Mary lives in the home/ 6 Grant Featherston Scape dining chairs. Authentic ... The Design for Life: Grant and Mary Featherston exhibit at Heide Museum of Modern Art celebrates the iconic Featherston chairs but it certainly offers more than that. supplied Another of those orange sound chairs sold for $11,100 including buyer's premium at her November 2016 sale. Grant and Mary Featherston in retrospect | IndesignLive As most of you already know he was made by Uniroyal which is now Bridgestone . He is an authority on modern Australian . (c. 1960) Do you have a product enquiry? Despite these challenges, the last quarter of 2020 and the months so far - 2021 contained many real highlights for Featherston Booktown. In the early 1950s he developed the now famous 'Contour' range of chairs. R161 Contour settee, 1951. For most Australians, if the name Featherston means anything at all, it means a chair. Grant and Mary Featherston (Australian, 1922-1995 and b. Contours were designed and developed in the early 1950s and remain highly sought after by mid-century collectors in Australia and overseas, often fetching $10,000 or more. Grazia&Co's Featherston collection was launched in 2016 in collaboration with Mary Featherston and Gordon Mather Industries. (The Grazia and Co chairs are not replicas but licensed originals.) We will be more than happy to reply to any of your questions! Even . Their work has taken on a life of its own. History: Grant and Mary Featherston's Talking Chair was commissioned by Robin Boyd as seating for the Australian Pavilion at Expo '67, Montreal, Canada.… A Grant Featherston Television Series settee model introduced 1953, the open back contoured settee, with cream vinyl buttoned upholstery, raised on four tapering legs, 126 cm wide Height 113.5 cm . The back of the chair would curve just like a curled tram ticket and hug the body when sat on. Featherston was inducted into the Design Institute of Australia Hall of Fame in 1996. In February, as we began a major redesign of the dining room at my restaurant, Attica , the first in its 11-year history, I reflected on its past and where I want it to be in the future. In 1965 she formed a life and professional partnership with Grant Featherston - a partnership that lasted until his death in 1995. The Grant Featherston Contour Lounge Chair by Origins by Inmod updates the classic armchair design to create a fresh, contemporary look that opens up your modern living space and infuses it with a warm, welcoming calm. The Expo '67 chair In 1966, just a year after Grant and Mary married and began their professional partnership, they secured a major commission. Grant Featherston died in 1995; his wife Mary is still alive and still designing. Installation view Design for Life: Grant and Mary Featherston Heide Museum of Modern Art, Melbourne.Photograph by Christian Capurro. Can be viewed at 191 O'Connell Street North Adelaide. The Expo Mark II sound chair is an enduring legacy of Australia's contribution to the 1967 world exhibition in Montreal, Canada. Featherston created moulded chairs made from polyurethane that had speakers on the headrest, allowing the chair's occupant to listen to a lecture about Australia while seated comfortably. (c. 1953). Gordon Mather Industries has the license from Grant and Mary Featherston to produce new Scape chairs to the exact specifications of the vintage originals from 1960. Thonet chairs. Grant Featherston's name sprang into media prominence in 1967 when his 'talking chair' was displayed at the Australian pavilion at Expo '67 at Montreal. Design for Life: Grant and Mary Featherston at Heide Museum of Modern Art is a rare insight into two of Australia's most significant designers. In 1965 Mary began a thirty-year life and professional partnership with Australian designer Grant Featherston, they were inaugural inductees into the Design Institute Hall of Fame in 1996. Mary Featherston described the design and production process in an interview in 2007: 'The 'Expo chair' could not be made using conventional materials and production methods. One was the Talking Chair commissioned by Boyd for the Australian pavilion of the 1967 Expo in Montreal, Canada. The mesh was eventually removed, but has now with Elka and Otto living here! Curry and a few others came to tour the facilities. The judges are: Ray Cheung (chair, Krisna Cheung), Mary Featherston (Featherston), David Welsh (Welsh and Major), Melody Chen (Ateliler Chen Hung), Fleur Watson (Open House Melbourne), Isabelle Toland (Ailleen Sage); and Ross Brewin (Gilby and Brewin). She and Grant have often been compared to another high profile husband-and-wife team of the same era, America's Charles and Ray Eames. The 2020 Featherston Booktown Karukatea Festival was cancelled due to COVID-19. The curves of Grant Featherston's Contour chairs have seduced admirers for over sixty years and yet remarkably little has been published on this Australian industrial designer until now…. Grant Featherston From Wikipedia, the free encyclopedia Grant Stanley Featherston (17 October 1922 - 9 October 1995) was an Australian furniture designer whose chair designs in the 1950s became icons of the Atomic Age . An unapologetic idealist, Grant Featherston believed design should benefit all and campaigned for professional, aesthetic and environmental standards. Featherston, Grant Melbourne Victoria Australia 1968-1969 One of the new wave of Australian designers to emerge in the immediate post-war years, Grant Featherston (1922-1995) designed his first chair in 1947. The modern lounge chair is defined by its oversized seating enhanced with plush cushioning, body-cradling curves, and your choice of soft, luxurious upholstery. Featherston became something of a household name in the 1950s with a string of successful designs: beginning with the Relaxation Chair, then the Contour Chair, the Curl Up Chair and so on. "There's a very beautiful chair called the R152. Featherston Numero 4 Lounge Chairs Andrei 2019-09-14T10:29:12+10:00. "If you look through the Home Beautiful magazines from the 50s, most of the stylish homes have this chair in it. The modern lounge chair is defined by its Beginning with the Montreal 1967 Expo Chair they focused on culturally and socially significant projects, and experimented with the potential of plastics to produce beautiful, affordable design for all. fully upholstered contoured ply seat and back-rest. Part of NGV Collection. Gordon Mather Industries has the license from Grant and Mary Featherston to produce new Scape chairs to the exact standard of the vintage originals from 1960. Mary did have one condition: that they re-launch her favourite archived Featherston piece, the OBO (1974), a spherical foam ball chair with reflex memory. He was born in Geelong, Victoria. Featherston had the idea for the Contour Chair. The modern lounge chair is defined by its oversized seating enhanced with plush cushioning, body-cradling curves, and your . The name One for the future could well be the 1974 Oboe chair, one of the last . Since then, alongside his wife Mary, they have designed a collection of timeless . Also known as Featherston Contract Furniture , Featherston Contract Interiors (FCI) Featherston was an Industrial design and design industry leader. The curves of Grant Featherston's Contour chairs have seduced admirers for over sixty years and yet remarkably little has been published on this Australian mid-century designer. The chair belongs to a 5-piece setting designed by influential Australian post-war designer Grant Featherston, and his wife Mary, in Melbourne, 1969. Featherston Hob dining table. This partnership lasted until Grant's death in 1995. Photography - Eve Wilson. She trained in Interior Design at RMIT. supplied Another of those orange sound chairs sold for $11,100 including buyer's premium at her November 2016 sale. Mary Featherston AM is a designer specialising in research and design of school learning environments across all age levels. It has been updated with a range of custom dyed webbing. $899.00 $799.00 Beginning with the Montreal 1967 Expo Chair they . The chairs were upholstered in dark green wool with either a green cushion for English audio, or . The Grant Featherston Contour Lounge Chair & Ottoman updates the classic armchair design to create a fresh, contemporary look that opens up your modern living space and infuses it with a warm, welcoming calm. The webbing chair had an ingenious rubber cord to fix the tension and allowed the occupant to sit firmly while moulding to 'fit his figure.' He shared this vision of 'design for life' and social responsibility with his partner Mary, with who he established Featherston Design in 1965. Bosko sofa by Jardan. By comparison we learn nothing of Mary Featherston's work prior to her marriage to Grant and the establishment of their joint design firm. In 1965, Featherston worked for a metal frame furniture manufacturer, Aristoc Industries. Manufactured by Emerson Bros Australia and E&F Industries New Zealand. Designed by Grant and Mary Featherston He is the world most comfortable chair he's the high back version . The exhibition incorporates a wide variety of rare Featherston gems, including Modular storage units from the 1955 Savoy Hotel Exhibition, a very beautiful Eleanor E 1 chair and the Floating series 102 chair designed for the Brighton Municipal Offices in 1960. Philip Goad is Redmond Barry Distinguished Professor and Chair of Architecture at the University of Melbourne and has worked extensively as an architect, conservation consultant, and curator. Australian furniture designers Grant and Mary Featherston developed the 'Mark I Sound Chair' for the Australian Pavilion at the Montreal Expo of 1967. One newcomer is the Obo chair, by special request of Mary Featherston, a designer herself, who worked with Grant in their Ivanhoe studio. The Australian pavilion at Expo 67 included 240 sound chairs from Melbourne-based contemporary furniture designers Grant and Mary Featherston. Among the greatest achievements of modernism is the redefinition of furniture. He shared this vision of 'design for life' and social responsibility with his partner Mary, with who he established Featherston Design in 1965. Featherston's Relaxation Chair was original and simple in form, constructed from laminated plywood and upholstered with either webbing or sponge rubber. Rare in the Rocker format. Films: Mary Featherston + Phillip Zmood Host: Professor Philip Goad Curator: Ian Wong. Designed in 1947, The Relaxation Web Chair, featuring interwoven webbing, is one of Featherson's earliest designs and first releases. Gordon Mather, Grazia Materia and Mary Featherston Recognised for his furniture and exhibition work in partnership with Mary Featherston, he helped to form the Society of Designers for Industry (now the Design Institute . Instagram: @So_Last_Century_MCM Website: www.slc-mcm.com.au c1953, Grant Featherston RW160 Contour Rocking chair $8500 incl gst. Returning to Melbourne he produced the first of his famous plywood shell Contour chairs in 1951. This idea became the most popular design he would ever produce. This was followed by the "Stem chair" in 1969, made mostly from high density polyethylene. Mary Featherston. Self-taught, he designed lighting and glass panels before serving in the army from 1940-1944. The Featherston B230 Contour Armchair is a fully upholstered wideback contour armchair with button detail to seat and back. This is the fourteenth year of the Architeam Awards. Grant & Mary Featherston "Numero 4" Lounge Chairs We currently have 8 pieces of this modular lounge system for Uniroyal by Grant and Mary Featherston available. Featherston chairs, to be exact: the work of Australia's pre-eminent and most influential Mid-century industrial designers, Grant and Mary Featherston. Replica Grant Featherston Contour Chair & Footstool - black soft cashmere. Mary Featherston (nee Currey) was born in Surrey, England and arrived in Australia in 1953. Excellent investment piece with the most recent Auction results for a standard R160 $10,000 incl BP. Its seamless design, eye catching colors and plush cushions practically invited people to sit down and take a break. It has been updated with a range of custom dyed webbing. A collection of iconic furniture by famed Australian designer Grant Featherston was recast and relaunched at the Australian Centre for Contemporary Art (ACCA) in a one-night only event in Melbourne last week. Featherston Poli side table. Grant Featherston b. c.1922. Get a Copy. One of Featherston's most radical achievements came in 1966 when he and his wife Mary were invited by the renown Melbourne architect Robin Boyd, to design a chair for the Australian Pavilion at Montreal Expo 67. Find many great new & used options and get the best deals for Featherston Moderntone mid century sling chairs & oak dining setting at the best online prices at eBay! And to lift the spirit as Mary would say!' she added. Expo 67 Talking chair, 1967Commissioned by Robin Boyd for the Australian Pavilion, World Expo 67, Montreal, Canada. The chairs were commissioned by Robin Boyd, who designed the Australian . 1943), Stem Chair, designed 1968-1969, manufactured by Aristoc Industries Pty Ltd, moulded white plastic seat on white powder-coated circular metal base, with circular orange wool cushion PROFESSOR PHILIP GOAD. designboom recently visited modern times: the untold story of modernism in australia exhibition held at the powerhouse museum, sydney. My first thought when I heard about the exhibition at Heide was to imagine a line of chairs against walls, spaced like paintings, and wondering how that could be made . featherston scape dining chair is a tapered metal tube chair frame with a powder coat finish. But he also wanted the chairs to talk. A Grant Featherston Wing Chair, c1951, sold for $9760. One of Australia's most well recognised and respected designers, Grant Featherston began designing furniture in 1947. Design for Life: Grant and Mary Featherston 1 of 4 Grant Featherston (designer and maker) R152 Contour chair (1950) designed, (1951) manufactured hardwood, plywood, linen, (other materials) National Gallery of Victoria, Melbourne Purchased 1955 © Grant Featherston/Licensed by VISCOPY, Australia Drop us a line by completing the form below. R152 Contour chair, 1951. Featherston went against the trends of the time to create utterly unexpected designs. One of these chairs would move back and forth when you sat on it. From 1957 to 1970 Grant Featherston was consultant to metal furniture manufacturer, Aristoc Industries. And, whilst many designers can be credited with innovative and unique furniture designs, few can take credit for developing new forms and shapes in the way Grant . With her husband, famed furniture designer Grant Featherston (1922-1995), Mary Featherston has been an influential force in Australia's design world since the 1950s. The Cord Chair - photo by National Gallery of Victoria Partners and Collaborators. Mary Featherston (formerly Mary Currey) was born in Surrey in England but immigrated to Australia in 1953. The Contour Chair propelled Grant Featherston to success. Since last year's AGM, Featherston Booktown has made significant progress - despite a challenging context. Featherston chairs, to be exact: the work of Australia's pre-eminent and most influential Mid-century industrial designers, Grant and Mary Featherston. History: Grant and Mary Featherston?s Talking chair was commissioned by Robin Boyd as seating for the Australian Pavilion at Expo ?67, Montreal, Canada. Gordon Mather, Grazia Materia and Mary Featherston Beginning with the 1967 Montreal Expo Chair, they focused on culturally and socially significant projects, and experimented with the potential of plastics to produce beautiful, affordable design for . The latter was noted by Mary as being one of her all time favourites. She trained in Interior Design at RMIT and in 1965 formed a personal and professional partnership with Grant Featherston. Featherston, later joined by his wife Mary, in fact produced hundreds of chairs, just part of an . Grant Featherston (1922-1995) was a Melbourne based industrial designer, most well-known for his Contour series of chairs. Grant Featherston was born in 1922 to Stanley and Eva in Geelong, Australia—a modern and affluent port city. Mary Featherston. That is a very dodgy knockoff of a Featherston r160 Chair. 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